Sunday, January 10, 2010
Tuesday, December 8, 2009
I'm making this an open thread about Memento -- no specific prompt or rules, just that you're thoughtful and kind to each other. It would be nice if this turned into a more conversational thread, where later commenters build off/ask questions of earlier commenters. Goodness knows you probably have a lot of questions, theories, insights, etc., so dialogue can be very helpful in fleshing them out.
Also, you might also want to check out this site, which has a lot of interesting info on the film.
Friday, November 13, 2009
Tuesday, October 27, 2009
Leone once said Clint Eastwood, who starred in three of his Westerns, had two acting styles: "Clint wearing a hat, and Clint without a hat." Point being, Leone films aren't the places to look for big "ACTING!" moments -- they tend to be subtle. One such subtle moment comes when Harmonica enters Jill's house after killing Frank. We pretty much know what's coming -- Cheyenne had told Jill that if Harmonica lived, he'd "come in, pack up his gear and say 'adios.'" Of course, that's exactly what happens, but there's one little detail as Harmonica fulfills Cheyenne's prophecy that makes him seem just a tad more vulnerable than he usually lets on. He lifts his gear off the wall with his left hand, but when he lowers it to carry it away, the pack suddenly drops downward, his shoulder jerks, and his head tilts downward. Then he turns and says, "Now I gotta go." Of course, the pack could just be really heavy, but in this instant I think we're seeing about as much emotion as we're going to get from Harmonica. At the risk of sounding too melodramatic, the pack isn't the only thing that's heavy -- it's his heart, too (sniff, sniff). He's acknowledging that although he can't stay (can you see him tending bar in Sweetwater?) there is a part of him that wants to stay with Jill. To me, that moment is worth fifty lines of dialogue.
Monday, October 19, 2009
Here are some sub-conflicts that play out under the main conflict of wilderness and civilization that could be topics for you to address. The first word in each pair is for "wilderness," the second is for "civilization":
- individual vs. community
- freedom vs. restriction
- honor vs. institutions
- integrity vs. compromise
- self-interest vs. social responsibility
- nature vs. culture
- purity vs. corruption
- experience vs. knowledge
- pragmatism vs. idealism
- brutalization vs. refinement
- savagery vs. humanity
- The West vs. The East
- equality vs. class
- agrarianism vs. industrialism
- tradition vs. change
- the past vs. the future
(list courtesy of "Authorship and Genre: Notes on the Western" by Jim Kitses)
Thursday, October 1, 2009
Monday, September 14, 2009
For your first comment, I'd like you to consider our discussion last week about restricted and unrestricted narration, and perceptual subjectivity. Think of a movie in which one of these concepts plays an important role in your understanding of it. In the comments section below, include:
1) name of the movie
2) concept you want to write about (restricted narration, etc.)
3) specifics about HOW this concept affects your understanding of the movie.
4) your first name and last initial, and your hour (1st, 2nd, or 6th).
If someone "stole" your idea, feel free to build on their ideas -- just make sure to credit them. Responses are worth 10 points and go into the homework/class participation category.